Untitled Painting by Robert Corless, 1961, watercolor on paper.
prep paper
to resemble dusk, music
for a pull-your-through
reach-and-seek
whites, blacks,
mixed to a grey-first
into a wet,
sloping wash of manifold blues
veined with thin red-currents
and a foundational pink wash
maybe these are painted
with Coltrane bristles?
remember, revolution is
no one color; red-eyed
sight, storing water
and death within
intended portals
is
injected
& out’d, uplifted by blue
like airfoil, stuffing
don’t & the honey-down
muted unheard wing-beat, the implied in-whistle, the horizontal
haunt, the temptation to over-lap
don’t laugh, don’t call them foggy griffins
gravity pulls on
double night birds, weighing the right airy weight
for their boom-
hovering:
perfecting buoyancy within late evening densities,
real, an almost-felt dream-
feather-and-fowl, youngish,
possibly breeding, specular, skeptical comics
like language, perfect nonsense and beyond nature,
arriving to watch,
applying more well-passion than the usual muses do
and by ascending,
levitating,
twin blue
love-efficient
plumes.